This is a new free listing for composers, and lyricists, of new choral music or arrangements, either in preparation or ready for performance.

Please forward any details Phillip Tolley

Alexander Campkin is a British composer and conductor. Alexander studied at Oxford University, the Royal Academy of Music in 2008 and in Vienna. He was a finalist in the 2008 British Composer Awards and the NCEM Composers Award, a prize winner in the 2010 “Musica Sacra” International Composition Competition in Poland, and highly commended in the BBC Proms Young Composers’ Competition. Alexander was recently appointed Composer-in-Residence in Neresheim Abbey in Germany and Composer-in-Residence of the Fulham Camerata Choir and Orchestra; other commissions have been from the BBC Performing Arts Fund, the Southbank Centre, the Royal School of Church Music, the Manson Ensemble, the Royal Academy String Orchestra, the Kaxan String Quartet and Pusey House Choir, Oxford.  His music has received performances by the London Sinfonietta, the BBC Singers, the Vilnius Municipal Choir (Lithuania), Trinity Choir Cambridge, Polish Chamber Choir, National Youth Choir GB, Jeunnesse Kammerchor (Vienna) and the Tyler Youth Orchestra (Texas). Venues include the Berliner Philharmonie, Ulster Hall (Belfast), Künstlerhaus Bethanien (Berlin), Theater des Augenblicks (Vienna), St Paul’s Cathedral, Westminster Abbey, Duke’s Hall, Cal Poly Performing Arts Centre (San Luis Obispo, USA) and Grace Catheddral (San Francisco). His music has been performed in major music festivals in the UK and Europe, and has been the subject of a number of radio broadcasts in Europe, the US and South America.His choral music is available online http://www.alexandercampkin.co.uk/composing.htm     

Alexander L'Estrange (born 1974 Bristol) has carved a hugely successful and varied career as a choral composer, arranger, song writer, jazz double bass player and pianist, choral workshop leader, presenter of children's concerts, jazz examiner and trainer for the ABRSM, and passionate advocate for the importance of singing in schools. L’Estrange’s compositions are testament to an eclectic mix of styles, with echoes not just of the English choral tradition, but also jazz, pop, musical theatre and world music. Since the publication of his stunning Christmas choral anthem Lute-book lullaby recorded by top professional chamber choir . Tenebrae, he has been inundated with commissions from festivals, schools,  groups, choirs and choral societies.The latest large-scale work for SATB chorus, unison children's choir and band, Ahoy! Sing for the Mary Rose (ahoymaryrose.com) in 2013 came about following the enormous success of its predecessor, Zimbe! Come, sing the songs of Africa!. L’Estrange’s ingenious fusion of traditional African song with jazz proved so popular with choirs all over the world that Zimbe!  zimbe.net) Website www.alexanderlestrange.com “If you had to create from scratch the perfect 21st century musician, Alexander L’Estrange would be your template.”  - Howard Goodall.

Andrew Goddard is a Fellow of the London College of Music and has been composing for over forty years.   A book of new Christmas Carols called 'Christmas for Choirs, Book 1' has just been released for SATB choirs containing ten pieces.  Further choral pieces for male voice, mixed voice and ladies choirs is available from Westcountry Music Ltd.    Andrew won the Questor's Choir New Christmas Carol Composing Competition prize in November 2005 with his setting of 'Rise up, Shepherd, and Follow'.  He also won the Composition prize held as part of the second British International Male Voice Choir Festival in Cornwall, in April 2005 with his piece entitled 'A Hymn for Cornwall'. In 2006 he repeated his Carol composition success with 'Follow the Star (or Dilyn y Seren in welsh) with won a competition organised by welsh television SC4 and the Daily Post newspaper.. The winning carol was sung by Bryn Terfel and a 30 strong choir in Cardiff in a subsequent broadcast.    For more information visit www.westcountry-music.co.uk

Anthony Mudge was born in France and has sung in various choirs since attending school in East Anglia. He has written music in a broad range of classical forms including symphonies, canticles, piano pieces and chamber music, but choral works dominate his output.  He has a particular interest in unaccompanied Latin motets and Gregorian chant, with French neoclassicism and Bruckner foremost among his influences.  Anthony's works have been performed in Norwich and Ripon cathedrals, Paisley Abbey and in Edinburgh, where he now lives.  His website is at http://www.anthonymudge.co.uk

BB Cooper has enjoyed a long-established career as a composer with a number of stage productions and recordings to her name, each written in her own unique style.  Work includes "The Jungle Book" (four national tours), "Brontë", "The Golem", "La Bohème", "It's A Wonderful Life" and "The Secret of Minos" (arranged for SATB).  She would like to link up with a choir to perform and record her work.  Contact: bb@artfieldmusic.com.  Website: www.artfieldmusic.com  

Colin R Cartwright Colin Cartwright studied music at the Royal Manchester college of music before moving to Windsor where he sang as an alto lay clerk at St George's Chapel for thirty years.  He now lives with his wife in France where he divides his time by directing  Chorale Cantique and composing choral music. Much of his music has been performed by this choir including The Magnificat in latin as well a first performance of 'O Sacrum Convivium' at the Ostensions celebrations in St Junien which happen every seven years. More information can be found at www.cramaudmusic.com My latest piece was written on poems expressly written for me to set and is called 'A Christmas Triptych'.

Clive Whitburn is a British composer living in Sussex. An experienced choral singer, Clive has performed frequently with the major orchestras, including the RPO, LSO, BBCSO, CBSO and Philharmonia, under such conductors as Vladimir Ashkenazy and Richard Hickox and in major venues including the Royal Albert and Festival Halls and the O2 Arena. Website: clivewhitburn.com

David Ho-Yi Chan Born in British Hong Kong, David Ho-yi Chan (b.1992) is an award-winning London-based composer, conductor, and organist with profound interests in exploring harmonic syntax. Chan has collaborated with prestigious choirs including the BBC Singers, Choir of Trinity College Cambridge, Hong Kong Oratorio Society, Hong Kong Children's Choir. He served as a juror of the choral category for the British Composer Awards (2018) and received numerous accolades, such as the International Composer at the Esoterics (2018/19), Emerging Composer at the Florence Choral (2017).

His choral commissioners keep on achieving exceptional results with his works, such as Marymount Secondary School Choir at the 27th Béla Bartók International Choir Competition (2016) and the 71st Hong Kong Schools Music Festival (2019), Heep Yunn School Choir at the 12th World Choir Games (2023). Please visit davidhychan.com for more information.

David Machell Former Cambridge Choral Scholar, winner of national and international awards for composition, David Machell composes choral music in two strands - first of all an attractive, melodic, accessible style, as typified by Rutter, Chilcott, Jenkins and Carter, and secondly a more contemporary minimalist style as typified by Taverner. His anthem "The Day Thou gavest" is on youtube. Many of his works are published by KevinMayhew.com. Further details on musicopia.co.uk.

Donald Judge (b 1951) conducts Bollington Festival Choir and directs Bollington Festival Music Theatre (for 7-14s), both online at www.marple55.freeserve.co.uk He’s written several pieces for choir and many children’s musicals. Choral works include The Nightingale (Keats, MS solo and TTBB),  has been performed by BFC and the William Byrd Singers. Works for various solos and SATB with piano or organ include Whosoever... (anon, suitable for Christmas), Two Icelandic Lullabies (traditional Icelandic!) and Lines (Emily Bronte). Works with orchestra were written to partner works in specific concerts and use similar forces: Shipwreck (6 min, Emily Dickinson, A Sea Symphony) and The Donkey (15 mins, G K Chesterton, Nielsen Springtime in Fünen / Spring from Haydn’s The Seasons) both include children’s voices but these can be sung by an adult semi-chorus / soloists. May Magnificat (11 min, G M Hopkins) uses exactly the same forces (including five soloists) at Bach Magnificat in D. Death is a Shadow, a 5 min life affirming arrangement of an Italian renaissance song exists in versions for SATB with string or brass quintets with harpsichord / organ. All are amateur choir and audiences friendly! Copies / electronic scores available for inspection, hire, or purchase - email bcmt@marple55.freeserve.co.uk for more details

Doughlas Coombes is well known to music educators and choral practitioners in the UK and beyond. He is a prolific composer, choral clinician and conductor. Much of his compositional output involves singers – from full-length Cantatas, Masses, a Requiem and Operas, to separate songs for a variety of forces. Douglas is always open to commissions and projects involving voices. He frequently conducts massed choral events for young people at the Royal Albert Hall, Royal Festival Hall and the Barbican, London, which generate substantial sums for Barnardo’s. In-service teachers’ courses, as well as conducting and writing for the New English Concert Orchestra, three adult choirs and many choral and orchestral commissions, also feature in his very full schedule. He has been the director of The Amici Singers since it was founded in 1978, and has been an adjudicator since 1968. In November 2010, Douglas was delighted to accept an Honorary Doctorate in Music from Gloucestershire University and he was also honoured to have been awarded the MBE in the Queen’s Birthday Honours List of 2012 for Services to Music. In October 2019 he was elected Associate Fellow of Homerton College, Cambridge University in recognition of his work with the college’s Charter Choir. As well as on-going work with Homerton Charter Choir, he is now conductor of The Homerton Singers, a choral society based at the college, encompassing staff, students and outsiders – in addition to his women’s choir, The Amici Singers and an a cappella chamber choir The Ensemble of Friends.

Douglas has been the music consultant for the annual BBC TV Songs of Praise School Choirs of the Year competition and Chairman of the panel of adjudicators for the Barnardo’s Choral Competition since its inception. He meets countless young people and adult singers in the UK and abroad in the course of his workshops and conducting clinics. As a music educator, over a period of 20 years, he wrote, produced and broadcast two BBC Programmes for Schools – Time and Tune and Singing Together through which he helped teachers and children develop a love for and an understanding of music. Douglas was also responsible for many original worship songs and all 250 arrangements in the three Come and Praise books published by the BBC. Email Carole@lindsaymusic.co.uk

Elizabeth Winters’ choral music has been performed by groups such as the BBC Singers, the Choir of Canterbury Cathedral, the Chapel Choir of Selwyn College, Cambridge and Aurora Nova.  Details of all her music can be found at www.elizabethwinters.com

Fiona Howe ’The Requiem for the Living is for SATB choir and orchestra in eleven movements, originally written as the soundtrack for the feature film DELIRIUM (2017).  The piece was performed by the Chapel Choir of Royal Holloway under the direction of Rupert Gough.  The live recording is currently available on itunes and other digital platforms, preview at  https://itunes.apple.com/album/id1219533070?ls=1&app=itunes It was nominated by the 2017 Reel Music awards in the category Best Original Score for a Drama Feature:  ‘…full of beautifully-rendered choral pieces… a wonderfully intimate and emotionally powerful score.

I am currently rehearsing a new choral work, a collection of songs for female voice choir (SSA) entitled Shakespeare's Daughters. Full scores are available on request for both pieces.  Copyright/performance permissions direct from me at this email address. For more information about my recent and current musical projects please visit http://www.scenariofilms.com/music

Fiona Lander (born 1971) based in the North of England. Composer of choral music for all ages. 
Several works published by 'Sing Up’ including 'Winter Carol’, 'Sing a Song of Sixpence’ and ‘Holy Infant Child’ plus various new commissions including 'Voices of Hope’ Chamber Choir, Hexham Orpheus Choir, Sing Up and Newcastle City Holocaust Memorial Day 2020. Downloadable scores and sample audio files available at www.fionalander.com Singable, playable and extremely hummable!

Graham Andrew began composing a few years ago, just after turning fifty.  As a schoolboy he studied piano, as a student he played orchestral percussion and since then he has sung choral works large and small in a variety of choirs.  His first composition was a song cycle of twenty songs entitled ‘A Christian Journey’, based on the writings of Hans Kung.  Five of these were subsequently adapted as anthems for choir and organ.  More recently he completed an oratorio ‘Ecclesiastes’ based on the old testament book, written for soloists, a large choir and orchestra.  This work has not yet been performed.  There is also an orchestral suite taken from the oratorio.  Further details can be found at www.grahamandrewmusic.com

Samples from the CD can be heard at www.welshcontemporary.com/ and the CD purchased from the site. Details about how to buy copies of the sheet music can be found by emailing ʻenquiriesʼ.

James Lavino is a composer of sacred and secular choral music that has been performed throughout Europe and the USA, recorded by the choir of Westminster Abbey, and broadcast on BBC Radio 3 and Classic FM.  Recent commissions include pieces for the choir of St Paul's Cathedral, Tewkesbury Abbey, and Exmoor Singers of London.  Additional details can be found on the Boosey & Hawkes [www.boosey.com/lavino] website, or on the composer's website, www.jameslavino.com.

James McCarthy His most high profile works to date are the oratorios 17 Days and Codebreaker. 17 Days, commissioned by Crouch End Festival Chorus, was inspired by the Chilean mining accident of 2010. It was premiered at Barbican Hall, London, in February 2012 and received a standing ovation. It has since been performed again at the Barbican, in Wellington, New Zealand (and broadcast live on Radio New Zealand), and at Sage Gateshead. Of the 2012 premiere The Independent said, 'the overall effect was remarkably engaging: plenty of interest all the way through with lovely word setting which built, in an organic and integrated way, to a genuinely moving climax.' Codebreaker was premiered in April this year at the Barbican by Hertfordshire Chorus – who commissioned the work – with David Temple conducting. It tells the story of the life and tragic death of Alan Turing. Reviewing the concert, Rosie Pentreath for BBC Music Magazine wrote, 'a deeply moving work that showcases the composer’s ability to craft sumptuous melodies and build powerful climaxes with a full chorus and orchestra...this was a powerful concert that will stay with me for quite some time.' James studied composition at Royal Holloway, University of London with Simon Holt, and has received commissions from numerous ensembles, including Crouch End Festival Chorus, Hertfordshire Chorus, Scottish Opera and Canty. For further information visit www.jamesmccarthy.co.uk

James W. Morgan is an educator, percussionist, composer, arranger and musical director from Holmfirth, West Yorkshire. He studied at the Huddersfield School of Music (1971-74) the Royal Northern College of Music (74-75) and Indiana State University (75-76). James has performed and conducted widely, but is chiefly known for his choral workshops and his work with the Holme Valley Singers, the Holme Valley Orchestra and the Mastersingers, whom he now directs. His compositions and arrangements are well known and he has conducted several with the Mastersingers on the BBC’s Daily Service. His works can be found in his web-site – www.morganmusic.co.uk

Jonathan David Little is Professor of Music Composition at the University of Chichester. His evocative choral music is notable for its mystical beauty, intensity and richness of material, sometimes involving innovative spatial configurations. He has held the Collard Fellowship (UK), as well as Royal Philharmonic Society, BBC, MBF, PRS, ASCAP, Nissim, Fanfare, Authors’ Foundation, Australia Council, Chagrin, Bliss, Leighton Trust, and other distinguished awards in the USA, UK and Australia. Enquiries welcome via http://www.jonathanlittle.org/ – with online music & score examples at: https://britishmusiccollection.org.uk/composer/jonathan-david-little AND https://www.youtube.com/Musicalia65

John Baird hails from Greenock in the west of Scotland. Despite making London his home since his college days, he maintains a strong affinity with Scotland, and its influence is apparent in much of his music. John studied with herbert Howells and Sir Adrian Boult at the Royal College of Music, where he also met his wife, Penny. Subsequently he has divided his career between composing, conducting, playing and teaching - mainly at Westminster School - becoming Director of Music there in 1983 and then Composer-in-Residence from 1996-1999. Always with a commission on the go, John's output varies tremendously from anthems and motets, to choral symphonies and christmas carols! Please visit: http://www.johnbairdcomposer.co.uk/index.html for more information.

John Garrett is a Fellow of the London College of Music and a Licentiate of Trinity College London, He is a classical Singer, Conductor and private Voice and Piano Coach. Whilst at college he won the University singing prize and the Irwin scholarship and later studied privately with Patrick McGuigan from the RNCM where several of his own pupils have gone on to study voice. He studied composition with Richard Steinitz at the University of Huddersfield. 

John Conducts several choirs and is based in Lancashire. More recently he has rediscovered his love of composing and in particular music for choirs. Several new pieces are now available and samples of these can be listen to by clicking the following link www.classicalsingersdirectory.com

John Hosking is Assistant Organist of St. Asaph Cathedral. He studied at the Royal College of Music and held organist appointments at St. Martin-in-the-Fields, Westminster Abbey and Truro Cathedral. His compositions are mainly liturgical, but he has just produced a large-scale work "The Seven Trumpets" with the same instrumentation as the chamber version of Karl Jenkins' "The Armed Man". Details of all compositions are available from his website, www.freewebs.com/johnhosking

Joy DeCoursey-Porter´s choral music has been described as, “the sort of thing that can grab hold of you....haunting, beautiful, reflective, vibrant and well set.” A Canadian Born composer, Joy began composing and arranging in college as needed for various groups within her school and church. Relatively new to the “professional” composing world, since 2011 her pieces have been performed and well received throughout the world. Her works have been recognized on the ChoralNet Spotlight blogs, the Silver Platter Awards, the Haru Kan Youth Choir Competition in Tokyo, Japan, Tempo Magazine in British Columbia, and have placed in The American Prize. Joy is also endorsed by Project Encore.
One of Joy’s most recent compositions is a choral setting of a text by Britain’s own Dr. Frances Ward, first female Dean at St. Edmundsbury Cathedral. The Work is entitled “The Triumph of Kind Edmund” and can be found at www.musicspoke.com.

Kathryn Rose is currently organist and choirmistress at St Andrew's Church, Leytonstone, where several of her choral works have been sung; other churches that have used her music include St Mary's Addington, St Paul's Woldingham and St Chad's, Chadwell Heath. In April 2014 her work was selected to be included in a community songbook, "Sing For Our Planet". Kathryn has a strong interest in making music more readily available to the general public and is passionate about removing barriers to access. She has organized performances of public-domain music aimed at raising awareness of copyright and intellectual property issues from the perspective of audience, performers and composers. Because of her commitment to accessibility Kathryn puts her much of her work online at the Choral Public Domain Library (see http://www3.cpdl.org/wiki/index.php/Kathryn_Rose ) to encourage sharing. For more information see her website at http://www.artsyhonker.net 

Laurence Hughes is a composer who has written a lot of choral music - some of which has been performed by the BBC Singers, The New London Childrens' Choir, The New London Collegium, Highgate Choral Society, The Arcadian Singers of Oxford University and others, and has been broadcast on BBC Radio and TV. Works range from songs for children, through church music, to larger pieces like his Requiem and 'On The Morning of Christ's Nativity' for choir and orchestra. You can view, play through and download his music

at http://members.sibeliusmusic.com/lah/

Lisa Mears is a composer and musician based in Swansea, having studied at Bristol University and the Royal Welsh College of Music and Drama. Lisa’s song cycle Cinco Canciones Espanolas and Mosaic Counterpoint, for mixed chamber ensemble, were Highly Commended by the Society for the Promotion of New Music in 2004 and in 2006 Mosaic Counterpoint was the winning entry in the BSO Kokoro Ensemble Composition Competition.  Lisa was a shortlisted composer in the Cornwall International Festival of Male Voice Choirs Composition Competition 2012, a finalist in the Small Choirs Festival Composition Competition 2012 and First Prize winner at the Small Choirs Festival Composition Competition 2013. Lisa’s music is regularly performed by choirs and musicians around the UK. For more information please email: lisajmears@yahoo.co.uk or lisamears@msn.com

Louise Duke is seeking a choir to perform her new work - a requiem scored for SATB, organ, for all movements except one that has cello and baritone soloist. It has 8 movements, mostly in Latin. It lasts approx 22 mins. It is written on music software. Contact number is 01305 767446. Address, 85 Portland Rd, Weymouth, Dorset, DT4 9BG. The easiest way to contact her is by email louise.spider@gmail.com

Michael Overbury is a freelance musician living in Nottinghamshire with a life-time's experience of working with liturgical music. Almost all his works are suitable for church choirs. Reviews include the following choice remarks:

* exceptionally clear, user-friendly format; as generous to its listeners as to its singers; approachable and singable; ...provides top lines that are fresh, memorable, and patterned just as he gives to lower parts logical and expressive lines well within the reach of a competent parish church choir; deserves to be better known

* long, flexible skeins of melody - * lovely harmonic sequences - * bare, timeless feel, a kind of ancient rawness - * fluid harmonisation - * exquisite, gorgeous, yearning - * apt, chromatic - * flexible, expressive, well-conceived - * lovely anthem, with a touch of Dowland-like sadness - * thoughtful, ruminative - * reflects expert knowledge of the limits and possibilities of the genre; wisely provide interesting but not disconcerting harmonic movement; expressive, effective, fluid - * declamatory, assertive, ceremonial.

* quotes from a review by Francis O'Gorman in Organists' Review September 2015

"... a fine congregational setting, which ... will add dignity and beauty to parish worship." (Peter Westfield in New

Directions); "beautifully crafted with elegant choral parts; harmonically rich" (John Hogan, Bendigo Cathedral, Australia)

"I like your Mass setting" (S. Morley, Catholic Diocese of Sale, Australia)

To obtain a Catalogue please email to michaeloverbury@gmail.com

Nicholas Wilton. Extracts of my sacred choral music (mostly a cappells for SATB and a couple of pieces for SSAA) can be listened to at my web site www.catholicmusic.co.uk . There is a page of a few of the reviews I have had and one can also look at sheet music samples on the Music Samples page and download these. Sheet music for all pieces including more recent ones which are not on the CD (sung by Magnificat, directed by Philip Cave) is produced to a high quality and can be bought directly from me. My email address is sales@catholicmusic.co.uk  

Organists' Review described some of my pieces as "...miniature masterpieces...a result of pure inspiration...I want every choir...to perform these wonderful pieces. Quite simply they are the finest music of their type I have seen in a long time." (Michael Edwards). Recently Cantiones Sacrae of Dundee performed for the first time in Scotland my Missa Brevis - as well as Locus iste - a piece the choir commissioned. Both pieces were well received.

Noel Bannister is a professional musician, composer/arranger based in East Sussex who writes music for local choirs in a variety of styles. These can be heard here http://www.noelbannister.co.uk/pages/Choral.htm

Patricia Evans I have recently been commissioned to compose a choral piece to be performed at the end of 2014. Some of my choral pieces have been performed in Northants. As part of the Composers association, I have had several works performed,  most of these are SATB and unaccompanied. Email. evans.35@ btinternet.com

Paul Magee is a self taught British composer and publisher of his own work. He composes primarily for Piano but does have a choral 'Recordare' available lasting approximately 7 minutes, written for SATB, Chorus and Orchestra ready for a premiere performance. He can create a Piano reduction of the score if necessary. He is also working on a Benedictus for a Chorus of SATB singers and Orchestra. The score for 'Recordare' is available for a limited period from http://www.free-scores.com/Download-PDF-Sheet-Music-bootheven.htm  - For further details e-mail: Paul Magee at pemmusic@btinternet.com

Peter Willsher, freelance composer & conductor, had led an active musical life in England before emigrating to Canada in 1988. In England he had been the director of music at several schools noted for their choral and orchestral programs, including sung performances in Westminster Abbey, and the Goldsmith, Queen Elizabeth and Royal Albert Halls. As a professional conductor, he has directed several choirs and orchestras in Ontario and Quebe. He is a prolific composer who writes in a variety of styles. For the students at West Heath School he wrote several cantatas, piano pieces and a song cycle for piano and string accompaniment.His next project will be a Missa Brevis for the Cantabile Chorale in Montreal, it will highlight the plight of underprivileged children. Visit www.peterwillsher.com for more information or works and contacts..

Phil Baker studied composition with Edmund Rubbra at GSMD and as a post-graduate student supervised by Simon Holt at Royal Holloway College, London, for the degree of M.Phil. His output includes arrangements and Gebrauchsmusik for children and music for theatre including a chamber opera on Chaucer’s The Pardoner’s Tale (using original text) and an operatic musical based on Swift’s ‘Gulliver’s Travels’. His work has received performances through the SPNM, at The Hawth Theatre and Studio in Crawley, at the Lewes, Brighton and Huddersfield Festivals, in Chichester Cathedral and the Gardner Arts Centre and elsewhere. Works in progress The Bayeux Tapestry – an opera in English, French and Latin based on the depictions of The Bayeux Tapestry; libretto by William Gilbert. Christmas Carol on a text from the Carmina Gadelica: SATB a cappella For more information email  lindsay-phil@talk21.com

Ray Saunders ( b 1951 ) is an English Composer living in the South West of England. Ray is a retired Head teacher and started writing choral music four years ago whilst a baritone member of Weston Super Mare Choral Society. His work has been performed by traditional choral societies, community choirs and youth/school choirs. His music and lyrics tell stories which reflect world issues and modern themes. His most successful performed work to date has been a 40 minute choral cantata entitled ‘ A Better World ‘ which is a story about two refugees and their trials and tribulations on their journey to a new future. It is held together by a series of brief narrations, each with a choral backing and a slide show of original art work to illustrate each song in the story. His music in contemporary in style and although mostly in SATB format, it is very flexible and can easily be adapted to other choral formats and choirs of all abilities. Information about his musical services can be found on line at his website http://www.raysaunderschoral.com and he can be contacted by e mail at  rhs.saunders@virgin.net . The website showcase page enables all current scores to be viewed and listened to.

Robin Highcock has recently retired from teaching to live the life of a full-time composer. He spent time at Stonyhurst College and The Godolphin School among others and now lives near Buxton. He has written a wide range of choral music and has just published a book of TwentyFour Carols. https://www.amazon.co.uk/dp/B0CV3YMZRG?   Too find much more of his music go to his website: https://www.robinhighcock.com  

Santino Dear Composer of sacred and classical music orgininario of Palestrina, Rome - Italy. Composer of over 173 sacred songs for choirs a cappella or with instruments, with texts in Latin, Italian, and some in English, plus a Missa Brevis for SATB and orchestra or organ, and a requiem Mass for voices mixed and orchestra. I also wrote 290 classical works for piano, organ, woodwinds, orchestra. My songs are sacred chants from, SATB, up to 8 mixed voices. All these works are included here: http://santinocara.musicaneo.com/ and on my official website: http://www.santinocara.com/